Sabtu, 29 September 2012

Download Everybody Loves Our Town: An Oral History of Grunge, by Mark Yarm

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Review

“Yarm’s affectionate, gossipy, detailed look at the highs and lows of the contemporary Seattle music scene is one of the most essential rock books of recent years.”—Kirkus Review, *Starred Review* “Hardcore fans of grunge will treasure this.”—Publishers Weekly “Yarm, a former editor of Blender, interviewed more than 250 musicians, scenesters, and record business types to deliver a personal, comprehensive history of grunge music…Highly recommended.”—Library Journal"Mark Yarm has assembled the gospels of Grunge music. Here is a warts-and-elbows refresher course for those of us who still find our memories of the era a little hazy."─Chuck Palahniuk, author of Fight Club"A very noble record of the grunge scene—and an excellent addition to the growing library of oral history music books."—Legs McNeil, coauthor of Please Kill Me: The Uncensored Oral History of Punk and the forthcoming Resident Punk "Great oral histories are rare.  Hewing a narrative from all those chaotic and often conflicting memories with testimony alone and no guide-prose or stage direction is difficult.  Making that somehow intimate and epic is nearly impossible.   When a writer pulls it off, as Mark has with Everybody Loves Our Town, it's really a gift: the subject or scene finally gets its definitive record and the reader gains what feels like a room full of brand new friends.  One of the best rock reads in a very long time."─Marc Spitz (co-author We Got The Neutron Bomb: The Untold Story of LA Punk, music blogger VanityFair.com)."In Everybody Loves Our Town, Mark Yarm collects and dispenses remarkable insights about a genre no one even wants to claim as their own. As a child of grunge – who spent a humiliating chunk of the 1990s in an Alice in Chains t-shirt – I loved this book; it clarified so many things about a sound and a time I thought I already knew."─Amanda Petrusich, author of It Still Moves: Lost Songs, Lost Highways, and the Search for the Next American Music"A deeply funny story, as well as a deeply sad story--the glorious Nineties moment when a bunch of punk rock bands from Seattle accidentally blew up into the world’s biggest noise. Mark Yarm gives the definitive chronicle of how it all happened, and how it ended too soon. But the book also makes you appreciate how weird it is that this moment happened at all."─Rob Sheffield, author of Love Is A Mix Tape and Talking To Girls About Duran Duran"A definitive, irreplaceable chronicle of one of rock-n-roll's greatest eras. It should sit tall on any rock lover's bookshelf."─Neal Pollack, author of Never Mind The Pollacks“In an attempt to trace the real roots of grunge, journalist Mark Yarm compiled an exhaustive oral history from the people who lived it.  In his book Everybody Loves Our Town, there are interviews with everyone from the early adopters to those that were late to the party, but nevertheless helped extend [grunge's] shadow of influence by turning it into a look for the world to emulate.” —The Fader“This massively readable tome gathers recollections from every grunge band you’ve ever heard of (Pearl Jam, Nirvana, Soundgarden, Melvins) and some you haven’t (we hardly knew ye, Skin Yard)…The genre’s first truly comprehensive insider history…It’s gossipy…and fascinating, with so much backstabbing and death it’s like Shakespeare, if Shakespeare had written about heroin addicts with bad hair.”—Revolver (4 out of 4 stars)“An impressive display of reportorial industriousness… It’s the feel-bad rock book of the fall.”—Bloomberg Businessweek“Oral history is an art in itself. It’s why Everybody Loves Our Town will endure as a classic of monumental scale.”—Paste Magazine. “For hardcore fans or people just curious about what the fuss was all about, Mark Yarm’s excellent new book –Everybody Loves Our Town: An Oral History of Grunge” is well worth the read. Yarm has done an admirable job of assembling an engaging, funny and ultimately sad narrative by letting the people who helped create the Jet City sound talk about what happened in their own words.—Seattle Post-Intelligencer“Yarm’s account captures the essential tension that made the era so compelling.”—Greg Kot, Chicago Tribune "We finished all five hundred and forty-two pages of this book in two days, abandoning all responsibility (this, friends, is why we do not have children; had there been any children about us, we would have locked these unfortunate creatures in the bathroom, so as to not bedistracted) and staying up until two in the morning, reading whole chunks of it out loud to poor long-suffering Support Team."--TheRejectionist.comMark Yarm's superb book, Everybody Loves Our Town: A History of Grunge details the dramatic rise of the grunge movement and all of its players, including Cobain, Love and Vedder, told through the voices of the people that lived through it.--Hollywood Reporter“I came away from this book with a big smile on my face. Lots of it is like a gray day in western Washington; you’ve been kicked out of yet another band, and your girlfriend is spending far too much time with the drummer from the Melvins or the Screaming Trees. In the end, though, “Everybody Loves Our Town" made me want to be young, stupid and lucky again. Mainly, it made me want to be young.”--The Washington Post“Everybody Loves Our Town should inspire new conversations about the unique culture and people that made grunge so unusual and unforgettable to so many fans. The book is timely, as 2011 marks the 20-year anniversary of  Nirvana’s “Nevermind” and Pearl Jam’s multi-platinum debut album, “Ten.” Everybody Loves Our Town is as good an excuse as any to put on an Alice in Chains CD and curl up with a good book about some great old friends with whom we haven’t spent much time in a while.”--The Washington Independent Review of Books “Everybody Loves Our Town is authoritatively researched and compiled, often very funny and always just a little bit sad.”—Buffalo News"Like a very extended and entertaining all-night bulls--- session among everyone who mattered during the late-'80s/early-'90s music scene."--Seattle Weekly"The scope is encyclopaedic and the closeness to the subject unparalleled."--Record Collector"A wild ride that is in turns uplifting and tragic." --Your FleshNamed one of the top music books of 2011 by UK Telegraph"Riveting, gossipy, and impossible to put down until the last quote has been read." --New York magazine's Vulture blog“This exhaustive oral history features unknowns, cult figures, supporting players and stars; each gets the time he or she deserves as Yarm pieces together the arc of a scene that built itself from scratch, blossomed beyond most people's dreams, and then crashed. Yes, there are plenty of Kurt Cobain stories. But there's much more, too — indelible characters, weird scenes, creative chaos, laughs and tragedy and lots of cheap beer.”—NPR.org "Gen-X music geeks: Here’s your holy grail." --Tulsa World"The best book on music I've read this year." --Omaha World-Herald“This volume could have been a huge, snarky compendium of gossip and score settling from the inhabitants of a claustrophobically insular local music scene. And it is, but in the best possible way—and it’s also much, much more…. Yarm has culled the story of grunge from the people who created it, and their testimony is remarkable for its eloquence and its passion and its fairness and its anger.” —Lev Grossman, Time (named one of the magazine's Top 10 nonfiction books of 2011) “A Herculean work of interviewing and editing which gives everyone a voice, from the biggest stars to the lowliest foot soldiers… . Though the Seattle scene’s stew of folly, feuding, rampant drug addiction and a startling number of fatalities might have made for a voyeuristic tale, Yarm leaves the reader full of empathy for young men and women swept up in a cultural moment they couldn’t control.” —The Guardian (named a best music book of the year)  “Exhilarating … Mark Yarm’s brilliant and exhaustive oral history of grunge is full of … vivid observations. Some 250 interviews with those intimately associated with the most unlikely musical sensation of all time piece together a story that is hilarious and tragic and utterly gripping.” —Sunday Times of London  A Gawker.com Best Thing We Read All Year selection “[A] lively, funny, melancholy and exhaustive oral history … For all its eventual compromise and dissolution, Seattle was briefly an exhilarating pop cultural moment to rank with the greats. Yarm’s labour of love has well and truly done it justice.” —Time Out London  “If you loved the ’90s and you haven’t read this book, you MUST. I’m absolutely obsessed with Mark Yarm’s masterpiece right now.” —USAToday.com’s Pop Candy column "Full of so many entertaining stories and thrilling anecdotes that we have read it cover-to-cover TWICE. You should do the same!" —VH1.com “The definitive oral history of the Seattle music scene, period.” —Alternative Press

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About the Author

MARK YARM is a former senior editor at Blender magazine. He lives in Brooklyn with his wife, Bonnie, and is in no way related to Mudhoney frontman Mark Arm.

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Product details

Paperback: 592 pages

Publisher: Three Rivers Press; 2.12.2012 edition (March 13, 2012)

Language: English

ISBN-10: 030746444X

ISBN-13: 978-0307464446

Product Dimensions:

5.2 x 1.3 x 8 inches

Shipping Weight: 1 pounds (View shipping rates and policies)

Average Customer Review:

4.5 out of 5 stars

94 customer reviews

Amazon Best Sellers Rank:

#44,742 in Books (See Top 100 in Books)

Loved it. LOVED it. If I could give more than 5 stars I would. This book just blew me away. Easily the best book on music I've ever read, and probably the best book I've read on anything in several years.Having grown up in Seattle, I've been a fan of the Seattle bands since the early 90s. Up until very recently I actually segregated my "Seattle" bands from all the others in my CD collection. I found out just how little I actually knew about them all by reading this book. First off, the drugs, wow. I knew there were a lot of drugs being used, but holy cow I didn't have any clue as to how bad it was. It's front and center here because it took such a horrific toll on the musicians and those around them, from Kurt Cobain and Layne Staley to Stephanie Sargent and Mike Starr. But the one that really seemed to kick the entire community in the gut was Andrew Wood. To hear about what these people meant to the people who knew them, in their own words, it just takes you way beyond the music, which is often secondary in this history.Grunge seemed to have exploded onto the airwaves when Nirvana released Nevermind, but in the long arc of its rise and fall that was actually nearer the end than the beginning. Yarm tracked down virtually anyone and everyone who planted the seeds with the punk bands from throughout western Washington, like the U-Men and Melvins. While the book has plenty of Nirvana, Pearl Jam, Soundgarden, and Alice in Chains, there is no shortage of other bands, including the Screaming Trees, Candlebox, the Gits, 7 Year Bitch, Mudhoney, and Green River. And don't forget Cat Butt. (How could anyone, with a name like that?) He also gives a lot of space to the guys at Sub Pop records, who were instrumental in helping a lot of these bands find an audience.The book is entirely told by the people who were there when it all happened, at least a couple hundred in all. Fortunately, Yarm included a handy alphabetical reference list in the back, which I was constantly flipping to to remember just who someone was and what their role in the music community was.It's alternately sad (lots of death), funny, and gossipy, almost to the point of catty, particularly whenever Courtney Love is involved. She really came across to me as an utterly psychotic bitch. So much so that I feel bad for liking her music. There weren't many others who had much nice to say about her. No surprise there. What did surprise me was how much everyone else hated Candlebox, a band I've always liked. I never realized what outcasts they were on the local music scene.I bought this book as a Christmas gift for my niece a couple years ago. At the time I thought, "I should read this before I send it to her." I didn't, but I finally got my own copy and am glad I did. Fantastic.

At first I was skeptical of the writing style (just for the first chapter or two), but quickly began to love it as the story flows seamlessly being told from all sides including bands, labels, "scenesters", and more... I could not put it down. Interesting to know that Seattle was a "quiet" town not known for live music until this "revolution" of music and tech occurred. Plus it is great to learn about many of the bands who started this (before Nirvana, Pearl Jam, etc) but never received the recognition/accolades for it.

This is my favorite book EVER! I am a big, big fan of Seattle and it's notorious grunge scene. This book is an oral history, meaning, it is a compilation of interviews from key players from the scene. Some names you might know, some you might not. But their story plays a vital role in the development of music and influences for the genre. I didn't think I would enjoy the "oral history," but is so well done, you almost feel like you are reading someone's diary. It is the personal thoughts and stories straight from the people who lived it! And it is also well organized by chapter, so it all makes sense and flows nicely. If you like Mother Love Bone, Soundgarden, Alice in Chains, Pearl Jam and Mudhoney--this is the book for you! It also touches on all the other bands that never made it big and how all of their stories put together is what made the genre thrive in the first place! It's brilliant and kudos to Mark Yarm for putting it all together!

Anything you've ever needed to know about any and every grunge band that mattered. Full of amazing stories (Kat Bjelland may or may not have had a crush on Layne Staley? Madonna may or may not have tried to seduce the singer for Candlebox?) and some unbelievable pictures. Of course, the ending is not the happiest and everyone knows how deep the demons plaguing the grunge scene ran, but this is a story of perseverance, love, and the joy of writing music and playing it with your friends to the people who matter most.

This book gives the reader an in depth look at what it was like to be part of the ‘grunge’ movement in the early to mid 90s as told by many of the major players. It was a good read and as long as this book was, I still didn’t want it to end. Best music movement since the 60s in my opinion, and the unique perspective offered as direct quotes from the musicians and various business types, made you feel like you were a part of it.

One of the most complete, intelligent, insightful books on the subject - if not the best of all. It covers the history of a musical maelstrom and of the bands that were at the epicenter of that historical cultural moment The music, the business, the brilliance, the public and private hells: All in the very words of those who lived through it.If you want to read only one book on what most defined the culture of the 90s, read this. It will become a go-to for information as well.

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Kamis, 27 September 2012

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Listening Length: 53 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: VYBO

Audible.com Release Date: March 22, 2016

Language: English, English

ASIN: B01D93HS90

Amazon Best Sellers Rank:

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  • Sales Rank: #5620739 in Books
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Audible Audiobook

Listening Length: 9 hours and 41 minutes

Program Type: Audiobook

Version: Unabridged

Publisher: Simon & Schuster Audio

Audible.com Release Date: August 4, 2015

Whispersync for Voice: Ready

Language: English, English

ASIN: B00XWSLEHU

Amazon Best Sellers Rank:

"I think this is the worst book I've ever read," I said disappointingly."Are you sure?" she asked wonderingly."Yes. I believe so," I replied assuredly.

As many reviewers have already written, the plot is LUDICROUS and the tea scene at the end is absolutely MADDENING.This book was slow and I was sort of shocked when the murder happened at about 50% of the book (I read it on my Kindle so I don't know page numbers.) I thought to myself "How are they going to fill up the rest of this book?" And I was spot on: this book could've ended at the 50% mark and I would've liked it more. On the plus side: it's an easy read that you can finish on a domestic flight.How they are going to turn this into a movie is beyond me. No doubt, it will be a boring movie.Basically, here's the book so you can save your money (there are no real spoilers):0%: Meet Nora5%: Start ludicrous plot line10%: Meet a motley crew of annoying characters25%: Tequila and cocaine50%: Murder (an alcohol and drug-fueled murder? Ruh roh!)60%: Nora can't remember what happened.70%: Nora still can't remember what happened.80%: "Oh why, oh why, can't I remember what happened?" asks Nora.90%: Eureka, Nora remembers what happened!95%: Nora's having tea with the murderer because killing someone sure makes me thirsty for some Earl Grey.100%: Thank God this book is over.

It wasn't at all "scary" as had been touted by Stephen King and Reese Witherspoon. What planet are they living on???

Certainly a great debut novel. Once again, though, the protagonist is a hot mess, all but destroyed by a failed relationship with a man. To give Leonora Shaw credit, though, her life in London was going well until she agrees to attend a bachelorette style weekend in the gloomy English countryside, if by well you mean that she lives alone, has almost no social life and no interest in forming a romantic relationship with anyone. She's a successful, reclusive author of crime novels (Kind of like me, but I'm way older than she is and not nearly as successful). She doesn't even have a dog or a cat. The supporting cast of characters is fascinating and original, and I loved the Agatha Christie type limited list of suspects, and the way the story points the reader toward one and then another, not revealing the true culprit until the breakneck-paced, bitter end. The setting looms dark, large and menacing throughout (After all, the title is In a Dark, Dark Wood.). Tons of gothic foreshadowing, which I love. I'll definitely read Ruth Ware's newest book, The Lying Game. I'm officially a fan now.

Good lord this was a badly written book with a wafer thin plot line. Had such high hopes. It is likened unto Gone Girl in a lot of reviews. Gone Girl isn't the best literary work to begin with but at least it was entertaining and not too predictable. This was drivel.

Obvious villain ... silly plot line ... who makes big life decisions off texts with no verbal follow up for 10 years???? Ridiculous ...

I’m not sure why this book has so many reviews touting how frightening it is: “Be prepared to be…really scared”, “Read…-with all the lights on”, “Read…Before bed at your own risk”, etc… Because of these reviews, I WAS prepared…and eager…to be scared.I wasn’t.This book has some suspense, and it is intriguing. It’s a good read, and I recommend it, but scary? It’s about the same terror level as a flickering light in a storm, which may make you go, hmmm, or uh-oh, but unless you’re an hysteric drama queen, it’s hardly frightening.In addition, it's ludicrous. You will be ready to throw this book at a wall when you, if you, make it to the ending. There's NO WAY women are this stupid...just drink the tea. Yeah.As for its comparison to Gone Girl, there is some merit there. I won’t spoil it by getting into why. It seems there’s a popular trend of female power being sinister. It reminds me of another obscure book I discovered recently, Polly Ticks which captures this much better. Wow. That book stuck with me. Talk about a sinister turn…I guess I must admit to finding sinister women interesting, and I highly enjoy these books. Not sure what this says about me…

I should have known better. When I saw the reviewer comparing this book to “Gone Girl” and “Girl on a Train,” I should have moved on to another book. Because the reviewer was correct. This “thriller” is just as pointless and irritating as those. There is little or no explanation for the actions of the protagonist or the other characters, none of whom resemble real people; I could find no reason to care what happened to any of them. The plot seems strained, barely held together, and the action sort of “limps” to the conclusion. I thought the entire book just silly.I apologize for the rant. But I cannot understand these editorial reviewers giving such glowing recommendations to such unworthy pieces of writing.

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Senin, 03 September 2012

Ebook Download Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire

Ebook Download Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire

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Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire

Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire


Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire


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Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire

WRITING WITH A THESIS is based on the persuasive principle-the development and support of a thesis in order to persuade a reader, which is exactly the skill the beginning writer in freshman composition needs to develop. The book's 52 professional and 10 student essays are almost all short and easy to read so that class time can be devoted not to what the readings mean, but to what they mean for the student's writing.

  • Sales Rank: #914095 in Books
  • Brand: Brand: Wadsworth Publishing
  • Published on: 2004-06-18
  • Original language: English
  • Number of items: 1
  • Dimensions: .52" h x 6.48" w x 9.24" l,
  • Binding: Paperback
  • 325 pages
Features
  • Used Book in Good Condition

Review
"This is an excellent first-year composition text that is organized clearly and solidly introduces students to the process of writing, establishing a firm foundation from which to proceed as student writers."

"It is a concise, entertaining, well focused text for freshman composition, with readings that are appropriate in length for beginning writers."

"I would say that it is beautifully clear, and simple enough to use in a developmental writing course. I like the book for developmental classes because, unlike many other developmental texts, it looks like a college-level textbook, rather than like an elementary-school level workbook."

About the Author
Sarah Skwire attended Wesleyan University, where she received a BA (with honors) in English and was a member of the coed literary fraternity Alpha Delta Phi. She later received both her MA and PhD in English Literature from the University of Chicago. In addition to coauthoring WRITING WITH A THESIS (with her father, David Skwire), she has published a variety of creative work as well as articles on subjects such as chronically ill seventeenth-century women poets, medicine in "All's Well That Ends Well," the "German Princess" scandal of the seventeenth century, and "Buffy the Vampire Slayer." Before coming to Liberty Fund, Sarah taught at the College of DuPage in Glen Ellyn, Illinois, and at The Ohio State University. Her current research is on the subject of money and early modern poetry.

David Skwire taught for 25 years at Cuyahoga Community College and has degrees from the University of Wisconsin-Madison and Cornell University. In addition to being the author or coauthor of all editions of WRITING WITH A THESIS, he also has coauthored STUDENTS BOOK OF COLLEGE ENGLISH (Longman), now in its tenth edition.

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Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire PDF

Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire PDF
Writing with a Thesis: A Rhetoric and Reader (with InfoTrac)By Sarah E. Skwire, David Skwire PDF